|
YEAR
|
TITLE
|
FESTIVAL
|
AWARD
|
|
|
|
|
|
2011
|
The Last Lioness
|
WildTalk Africa
|
ROSCAR – African Film Maker
|
|
2011
|
Mother Warthog
|
SAFTA
|
Best Editor in A Wildlife Program – Susan Scott
|
|
|
|
|
|
2010
|
Mother Warthog
|
8TH Matsalu Nature Film Festival
|
Highly Commended Diploma
|
|
2010
|
Dolphin Army
|
SAFTA
|
Best TV Wildlife Programme
|
|
2010
|
Dolphin Army
|
SAFTA
|
Best Director in a TV Wildlife Programme - Billi Jean Parker
|
|
2010
|
Dolphin Army
|
SAFTA
|
Best Cinematographer in a TV Wildlife Programme - Peter Lamberti & Riaan Venter
|
|
2010
|
Dolphin Army
|
SAFTA
|
Best Editor in a TV Wildlife Programme - Susan Scott
|
|
|
|
|
|
|
2009
|
Dolphin Army
|
Japan Wildlife Film Festival
|
Judges Recognition Award
|
|
2009
|
Clash of the Hyenas
|
Japan Wildlife Film Festival
|
Judges Recognition Award
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
Monaco International Film Festival – Angel Awards
|
Angel Humanitarian Award
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
Monaco International Film Festival – Angel Awards
|
Best Music - Braam du Toit
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
Monaco International Film Festival – Angel Awards
|
Best Supporting Male Actor – Danny Keogh
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
Monaco International Film Festival – Angel Awards
|
Best Cinematography – Lee Doig
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
Monaco International Film Festival – Angel Awards
|
Best Director - Regardt Van Den Berg
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
Monaco International Film Festival – Angel Awards
|
Best Script - Darron Meyer
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
TAVA
|
Most Outstanding Movie
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
TAVA
|
Most Out Standing Movie - Director of Photography - Lee Doig
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
TAVA
|
Most Out Standing Movie - Editor - Ronelle Loots
|
|
2009
|
Tornado and the Kalahari Horse Whisperer
|
TAVA
|
Most Outstanding Movie Director - Regardt Van Den Berg
|
|
2009
|
Bonecrusher Queens
|
32nd International Wildlife Film Festival Missoula
|
Honorable Mention for Animal Behaviour
|
|
2009
|
Cheetah Blood Brothers
|
SAFTA
|
Golden Horn, Best TV Wildlife Program
|
|
|
|
|
|
|
2008
|
Return of the White Lion
|
Global White Lion Protection Trust
|
White Lion ROAR Award, Recognition of Animal Rights Award
|
|
2008
|
Lions of Crocodile River
|
US International Film and Video Festival, California USA
|
Third Place, Certificate for Creative Excellence -Category: Cinematography
|
|
2008
|
Lions of Crocodile River
|
41st Annual World Fest Remi Award Houston
|
Platinum Remi, Category 139 – Craft Award in Television & Cable Production for Screenplay/Script - Gary Parker & Billi Jean Parker
|
|
2008
|
Dive to Tiger Central
|
41st Annual World Fest Remi Award Houston
|
Platinum Remi, Category 253 – awarded in Film & Video Production for Underwater & Marine Science
|
|
2008
|
Dive to Tiger Central
|
31st International Wildlife Film
|
Honorable Mention, Educational Value
|
|
2008
|
Buffalo Warrior
|
31st International Wildlife Film
|
Honorable Mention, Good Conservation Story
|
|
2008
|
Cheetah Blood Brothers
|
31st International Wildlife Film
|
Merit Award, Animal Behavior
|
|
|
|
|
|
|
2007
|
Dive to Tiger Central
|
SAFTA
|
Special Mention, Cinematography
|
|
2007
|
Deadly Summer
|
SAFTA
|
Golden Horn, Best Wildlife Documentary
|
|
|
|
|
|
|
2006
|
Africa’s Outsider
|
30th International Wildlife Film Festival Missoula
|
Merit Award, Script, Best Storytelling
|
|
|
|
|
|
|
2005
|
Valley of the Golden Baboon
|
US International Film and Video Festival, California USA
|
Gold, Cinematography
|
|
2005
|
Valley of the Golden Baboon
|
US International Film and Video Festival, California USA
|
Creative Excellence, Communications
|
|
|
|
|
|
|
2004
|
Valley of the Golden Baboon
|
Visible Spectrum
|
Gold, Cinematography
|
|
2004
|
Feast of Predators
|
Visible Spectrum
|
Silver, Cinematography
|
|
2004
|
Africa’s Secret Seven
|
Visible Spectrum
|
Silver, Cinematography
|
|
|
|
|
|
|
2003
|
Predator Bay
|
Visible Spectrum
|
Silver, Cinematography - Director of Photography - Peter Lamberti
|
|
2003
|
The Greatest Shoal on Earth
|
Visible Spectrum
|
Gold, Outstanding cinematography
|
|
|
|
|
|
|
2002
|
Ghosts of the Great Salt Lakes
|
US International Film and Video Festival, California USA
|
Creative Excellence, Audio Visual
|
|
|
|
|
|
|
2001
|
The Greatest Shoal on Earth
|
US International Film and Video Festival, California USA
|
Creative Excellence, Audio Visual
|
|
2001
|
The Greatest Shoal on Earth
|
Avanti
|
Craft, Underwater Camera - Director of Photography - Peter Lamberti
|
|
|
|
|
|
|
2000
|
African River Goddess
|
Jules Verne Film Festival
|
Marine Nationale Young Jury’s Jules Verne Award - Peter & Stefania Lamberti
|
|
2000
|
Fit for the Wild
|
Avanti
|
Special Mention, High Standard
|
|
2000
|
Fit for the Wild
|
Avanti
|
Craft, Rick Lomba Camera Award
|
|
|
|
|
|
|
1999
|
Fit for the Wild
|
Visible Spectrum
|
Bronze, Cinematography
|
|
|
|
|
|
|
1998
|
Diamonds from the Restless Sea
|
Avanti
|
Craft, Camera - Documentary
|
|
1998
|
Blue Reef Adventures
|
Avanti
|
Craft, Camera & Lighting
|
|
1998
|
Blue Reef Adventures
|
Avanti
|
Gold, Rick Lomba Wildlife Award
|
|
1998
|
Blue Reef Adventures
|
Visible Spectrum
|
Silver, Outstanding cinematography
|
|
|
|
|
|
|
1997
|
Blue Reef Adventures
|
Visible Spectrum
|
Silver, Outstanding cinematography
|
|
1997
|
Journey through the Maldives
|
Avanti
|
Craft, Underwater Photography
|